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Nina Dolan, 'Coastal Train Journey 2', 2018View Details -
Nina Dolan, 'City Night Lights 02', 2018View Details -
Zebedee Jones, 'Black Easel 2', 2015View Details -
Zebedee Jones, 'Scissors', 2015View Details -
Zebedee Jones, 'Blue Easel', 2015View Details -
Zebedee Jones, 'Green Easel', 2015View Details -
Zebedee Jones, 'Composition With Easel', 2015View Details -
Zebedee Jones, 'Battersea Interior', 2019View Details -
Nelson Diplexcito, 'Woman and Field', 2014View Details -
Lin Utzon, Untitled, 2017View Details -
Cristina Ruiz Guiñazú, 'Libellule' 2020View Details -
Jaime Valtierra, 'Hostile Revival', 2019View Details -
Nina Dolan, 'Kite Runner', 2018View Details -
Nina Dolan, 'Coastal Train Journey', 2018View Details -
Paul Newman, 'Black Neck' 2020View Details -
Lin Utzon, Untitled, 2020View Details -
Lin Utzon, Untitled, 2020View Details -
Paul Newman, 'Blue Dog', 2020View Details -
Dan Coombs, 'Silk And Snakeskin', 2020View Details -
Grant Watson, 'Crowd Nineteen Eighteen' 2020View Details -
Jaime Valtierra, 'The Dream Of The Artist', 2020View Details -
Jaime Valtierra, 'My Leader', 2020View Details -
Jaime Valtierra, 'The Unicorn and the Egg', 2020View Details -
Dan Coombs, 'The Argument', 2020View Details -
Cristina Ruiz Guiñazú, 'Ligne Rouge', 2020View Details -
Cristina Ruiz Guiñazú, 'Qué Susto', 2020View Details -
Cristina Ruiz Guiñazú, 'Dinosaurito', 2020View Details -
Nina Dolan, 'The Cape Ferry', 2018View Details -
Nina Dolan, 'Sandbanks Beach Hut', 2018View Details -
Nina Dolan, 'Coastal Train View', 2018View Details -
Jaime Valtierra, 'Pinata' (Study), 2019View Details -
Barbara Nicholls, 'Untitled 19', 2016View Details -
Barbara Nicholls, 'Circuit Tension', 2016View Details -
Nina Dolan, 'Lines In The Landscape', 2018View Details -
Paul Newman, 'Encounter At The Edge Of The World', 2020View Details -
Paul Newman, 'The Impossible City', 2011 - 2020View Details -
Paul Newman, 'Field Study', 2011View Details -
Barbara Nicholls, 'Clasp Lay', 2016View Details -
Enzo Marra, 'Vanitas 1' 2021View Details -
Enzo Marra, 'Vanitas 2', 2021View Details -
Nelson Diplexcito, 'Head Study No 20', 2020View Details -
Nelson Diplexcito, 'Two Figures', 2017View Details -
Nelson Diplexcito, 'Secret Army No 5, 2020View Details -
Nelson Diplexcito, 'Window', 2018View Details -
Nina Dolan, 'Another Brick' 2019View Details -
Tess Williams, 'Confetti' 2021View Details -
Tess Williams, 'Estuary (Study)' 2020View Details -
Tess Williams, 'Field of Dreams' 2021View Details -
Tess Williams, 'Inverse (Study)' 2021View Details -
Tess Williams, 'Making Ways' 2021View Details -
Grant Watson, 'Garden Painting' 2021View Details -
Grant Watson, 'Landing', 2021View Details -
Grant Watson, 'Gathering', 2021View Details -
Grant Watson, 'Platter', 2021View Details -
Archie Franks, 'Village Cricket', 2021View Details -
Archie Franks, 'Ride', 2021View Details -
Archie Franks, 'A Village Cricket Match', 2021View Details -
Archie Franks, 'Bag of Sweets', 2021View Details -
Ben Westley Clarke, 'Calle Ave Maria', 2021View Details -
Ben Westley Clarke, 'La Mañana', 2021View Details -
Ben Westley Clarke, 'La Primavera Trompetera', 2021View Details -
Ben Westley Clarke, 'The Arrest', 2021View Details -
Lin Utzon, Untitled, 2017View Details -
Andrew Hewish, The Vagaries of Fortune and the Demons of Ill LuckView Details -
Andrew Hewish, Man’s greatest and most devastating temptationsView Details -
Andrew Hewish, An uncomfortable tension in the modernView Details -
Andrew Hewish, Cultivating every sort of perversion and every discordView Details -
Andrew Hewish, Disease. The beauties of decay and dissolutionView Details -
Andrew Hewish, Intensifies the sense of security in a hostile worldView Details -
Andrew Hewish, In relation to their time and through their time in relationView Details -
Andrew Hewish, Marks of the spiritual ravages caused by idlenessView Details -
Andrew Hewish, Nothing could have been more movingView Details -
Andrew Hewish, Not an affair of forms but the relation of formsView Details -
Andrew Hewish, Portion out one’s experiences for sooner or later one arrivesView Details -
Andrew Hewish, Swirling EtherealityView Details -
Andrew Hewish, The Kind of Painting We have BeenView Details -
Andrew Hewish, The Subject is, However, Subtle and Delicate, SusceptibleView Details -
Andrew Hewish, The Ultimate Grandeur of the WholeView Details -
Andrew Hewish, These are the lucky Interludes One EnjoysView Details -
Andrew Hewish, There was no-one left to ImpressView Details
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