{"title":"Dr Kamini Vellodi: filosofa, storica dell’arte e curatrice","description":"\u003cp\u003eLa Dr Kamini Vellodi è un’accademica, scrittrice e curatrice di rilievo che opera all’impegnativa intersezione tra \u003cb\u003eteoria dell’arte contemporanea, filosofia e storia dell’arte\u003c\/b\u003e. Figura di spicco nella formazione artistica del Regno Unito, è attualmente \u003cb\u003eresponsabile del programma MA Painting al Royal College of Art (RCA)\u003c\/b\u003e di Londra.\u003c\/p\u003e\n\u003cp\u003eIl lavoro della Dr Vellodi si distingue per il rigore intellettuale e il profondo confronto con la filosofia continentale. Le sue ricerche esplorano questioni fondamentali sulla storia dell’arte, l’estetica e la natura dell’immagine. Tra le pubblicazioni principali figurano il suo libro \u003cb\u003e\u003ci\u003eTintoretto's Difference: Deleuze, Diagrammatics and Art History\u003c\/i\u003e\u003c\/b\u003e (Bloomsbury, 2019) e il volume collettaneo da lei co-curato, \u003cb\u003e\u003ci\u003eGrey on Grey: At the Threshold of Philosophy and Art\u003c\/i\u003e\u003c\/b\u003e (Edinburgh University Press, 2023).\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"5\"\u003eContributions to Aleph Contemporary\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003eLa Dr Vellodi ha dato diversi contributi fondamentali ad Aleph Contemporary, dimostrando la sua versatilità come curatrice, saggista critica e intervistatrice.\u003c\/p\u003e\n\u003cul data-path-to-node=\"7\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb\u003eCuratrice, \u003ci\u003eTransfigured Archetypes\u003c\/i\u003e\u003c\/b\u003e: ha curato la mostra \u003cb\u003e\u003ci\u003eMarcelle Hanselaar: Transfigured Archetypes\u003c\/i\u003e\u003c\/b\u003e (febbraio – marzo 2022). Nel suo testo curatoriale ha presentato i dipinti figurativi di Hanselaar come esplorazioni della \u003cb\u003eliminalità\u003c\/b\u003e e del \u003cb\u003edivenire-altro\u003c\/b\u003e, dalla barbarie delle folle al ciclo cosmico incarnato dal mare.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cb\u003e\u003cspan class=\"citation-175\"\u003eWriter and Interviewer, \u003c\/span\u003e\u003ci\u003e\u003cspan class=\"citation-175\"\u003ePoetics of Obsolescence\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan class=\"citation-175\"\u003e: Dr Vellodi provided a critical essay for \u003c\/span\u003e\u003cb\u003e\u003cspan class=\"citation-175\"\u003eLaurence Noga's\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-175\"\u003e solo exhibition, \u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan class=\"citation-175\"\u003ePoetics of Obsolescence\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan class=\"citation-175 citation-end-175\"\u003e.\u003csup data-turn-source-index=\"6\" class=\"superscript\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e In her text, she analysed Noga's use of found objects as \u003cb\u003e\"humble, anachronic portals to other times,\"\u003c\/b\u003e exploring the interplay between the symbolic and the formal in his constructed paintings. \u003cspan class=\"citation-174\"\u003eShe further supported the exhibition by conducting an \u003c\/span\u003e\u003cb\u003e\u003cspan class=\"citation-174\"\u003ein-depth video interview\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-174 citation-end-174\"\u003e with Laurence Noga.\u003c\/span\u003e\u003cspan class=\"citation-174 citation-end-174\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cb\u003e\u003cspan class=\"citation-173\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"citation-174 citation-end-174\"\u003e\u003cb\u003e\u003cspan class=\"citation-173\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"citation-174 citation-end-174\"\u003e\u003cb\u003e\u003cspan class=\"citation-173\"\u003eInterviewer, Alastair Gordon\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-173\"\u003e: She also conducted a thoughtful \u003c\/span\u003e\u003cb\u003e\u003cspan class=\"citation-173\"\u003evideo interview\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-173\"\u003e with painter \u003c\/span\u003e\u003cb\u003e\u003cspan class=\"citation-173\"\u003eAlastair Gordon\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-173 citation-end-173\"\u003e, providing a strong academic framework for discussing his practice and commitment to painting as a continuous mode of thought.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"citation-174 citation-end-174\"\u003e\u003cspan class=\"citation-173 citation-end-173\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003eDr \u003cspan class=\"citation-174 citation-end-174\"\u003e\u003cspan class=\"citation-173 citation-end-173\"\u003eVellodi's involvement highlights Aleph Contemporary's commitment to dialogue that places the practice of painting into serious conversation with contemporary European philosophy and critical\u003c\/span\u003e\u003c\/span\u003e theory.\u003c\/li\u003e\n\u003c\/ul\u003e","products":[],"url":"https:\/\/alephcontemporary.com\/it\/collections\/kamini-vellodi.oembed","provider":"Aleph Contemporary","version":"1.0","type":"link"}