{"title":"Andrew Hewish","description":"\u003cp data-path-to-node=\"2\"\u003eAndrew Hewish è una figura di grande rilievo nel mondo dell’arte contemporanea britannica, che si distingue nei suoi molteplici ruoli di artista, docente senior, curatore e fondatore di un’importante istituzione benefica. La sua pratica è profondamente radicata nella \u003cb\u003eteoria critica, nel processo materiale e nella storia del disegno\u003c\/b\u003e. Nel 2020 ha ricevuto la \u003cb\u003eBritish Empire Medal (BEM)\u003c\/b\u003e per il suo contributo alle arti.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"3\"\u003eAcademic and Institutional Profile\u003c\/h3\u003e\n\u003cul data-path-to-node=\"4\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,0,0\"\u003e\u003cb\u003eLeadership accademica:\u003c\/b\u003e Hewish è \u003cb\u003edocente senior e coordinatore dei Critical Contextual Studies\u003c\/b\u003e (Art \u0026amp; Photography) presso la \u003cb\u003eLondon Metropolitan University\u003c\/b\u003e. La sua solida formazione accademica comprende un \u003cb\u003edottorato al Royal College of Art (RCA)\u003c\/b\u003e, un MRes del London Consortium e un MFA della UNSW. In precedenza è stato Visiting Academic presso la Ruskin School of Art di Oxford.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,1,0\"\u003e\u003cb\u003eFondatore e direttore:\u003c\/b\u003e È \u003cb\u003efondatore e direttore\u003c\/b\u003e del \u003cb\u003eCentre for Recent Drawing (C4RD)\u003c\/b\u003e, un ente benefico britannico dedicato alla ricerca, all’esposizione e alla promozione del disegno contemporaneo.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"4,2,0\"\u003e\u003cb\u003eCuratela e coinvolgimento:\u003c\/b\u003e La sua esperienza curatoriale si estende ai programmi pubblici del prestigioso \u003cb\u003eWarburg Institute\u003c\/b\u003e, e contribuisce alle arti letterarie come membro del consiglio di \u003cb\u003eThe Poetry School\u003c\/b\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"5\"\u003eArtistic Practice and Critical Focus\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003eIl lavoro artistico di Hewish, che comprende disegno, pittura, collage e scultura, è noto per il suo approccio concettuale e la sua peculiare attenzione alla materia. Esplora l’\u003cb\u003e«inconoscibilità materiale»\u003c\/b\u003e dei processi e il concetto di \u003cb\u003e«deriva»\u003c\/b\u003e: i sottili spostamenti e le reti che emergono tra oggetti e materiali nel tempo. Crea un \u003cb\u003eimmaginario mnemonico\u003c\/b\u003e, in cui le forme visive sostengono la memoria e le connessioni concettuali.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eContributions to Aleph Contemporary\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003eHewish è una figura chiave nel programma di Aleph Contemporary, a cui contribuisce con saggi critici e mostre da lui curate che articolano una visione filosofica distintiva dell’arte contemporanea, spesso collegando la teoria storica della pittura alla pratica attuale.\u003c\/p\u003e\n\u003ctable data-path-to-node=\"9\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRole\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eExhibition\/Text\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eKey Analytical Focus\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,1,0,0\"\u003e\u003cb\u003eCurator\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,1,1,0\"\u003e\u003cb\u003e\u003ci\u003eA Little Closer\u003c\/i\u003e\u003c\/b\u003e (March – April 2023)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,1,2,0\"\u003eCentred on the enduring influence of \u003cb\u003ePaul Klee\u003c\/b\u003e, the exhibition celebrated \"visual invention,\" arguing for a practice that risks success and failure in the pure \u003cb\u003eact of making\u003c\/b\u003e.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,2,0,0\"\u003e\u003cb\u003eCurator\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,2,1,0\"\u003e\u003cb\u003e\u003ci\u003eField Notes\u003c\/i\u003e\u003c\/b\u003e (October – December 2022)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,2,2,0\"\u003eThis exhibition explored the \"resonances\" of artists' observations, using \u003cb\u003ecollage\u003c\/b\u003e and a \"collage of languages\" to create \"soundings of our times.\" Hewish referenced \u003cb\u003eMonet’s wartime practice\u003c\/b\u003e as an example of producing works that \"envisage the better part of ourselves in a difficult world.\"\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,3,0,0\"\u003e\u003cb\u003eWriter (Introduction)\u003c\/b\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,3,1,0\"\u003e\u003cb\u003e\u003ci\u003eVariations on World Making\u003c\/i\u003e\u003c\/b\u003e (Jacopo Dal Bello, June 2020)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan data-path-to-node=\"9,3,2,0\"\u003eHis essay analysed Dal Bello's work as an \"auto-poetics,\" noting the tension between conceptual play and \u003cb\u003ematerial force\u003c\/b\u003e. He discussed the use of historical notation (Twombly, Bacon) as a serious \"challenge\" to the possibility of the 'new' in painting.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","products":[],"url":"https:\/\/alephcontemporary.com\/it\/collections\/andrew-hewish.oembed","provider":"Aleph Contemporary","version":"1.0","type":"link"}